For the most part the plot in Finale flows rather well and, as with the rest of the series, the music allows one to appreciate the story in a manner that simply isn't possible in the manga. The one thing that has always surprised me about the entirety of Nodame Cantabile is how closely the anime tries to follow the manga, however while the majority of the tale is transposed extremely well, there are occasions where the adaptation only touches on the manga storyline.
Nodame is also improving thanks to her lessons with Professor Auclair, however she feels that Chiaki is drifting further away from her. Chiaki is still conducting the Marlet orchestra, and they are progressively getting better thanks to him and the concert master. from Paris Chapter, and not much has changed since the end of the second series. The aptly named "Finale" follows directly on So, Nodame Cantabile is finally over, and with it we say our collective goodbyes, gyabos and mukyas to the odd couple of the classical world. Sometimes though, the difference between the two is very small. We've often heard the adage that the book is always better than the film/TV series, but how true is that statement? There are many cases where the written work is superior to the adaptation, and the reasons for the sometimes massive differences range from the limits of one's imagination and ability to visualise, to important chunks of plot being left on the cutting room floor. Rui begins to doubt herself after hearing Nodame's playing and being denied tutelage from Auclair Maestro Franz von Stresemann faces the reality of his mortality pianists Yunlong Li and Tatiana Vishneva feverishly prepare for a competition, while the latter also struggles with her growing feelings for oboist and fellow student Yasunori Kuroki.Īs Chiaki, Nodame, and their friends continue on their respective journeys, they must not only strive to stay true to themselves, but also remember where it all started.
Meanwhile, those around Chiaki and Nodame are at their own crossroads. Disregarding her teacher Professor Charles Auclair's advice, Nodame enters another piano competition in an attempt to jumpstart her own performance career. However, tensions mount between the two as Nodame feels left behind by Chiaki's growing success and his close friendship with legendary piano prodigy Rui Son. Shinichi Chiaki is quickly making a name for himself as the principal conductor of the revitalized Roux-Marlet Orchestra, and Megumi "Nodame" Noda has made leaps and bounds as a pianist at the Conservatoire de Paris.
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